Have you ever needed to scramble to memorize your lines for your next performance? You might have eight pages to memorize and a callback tomorrow morning. Or you might need to memorize two hours of play in a week only. No matter how much time you put in, you still are doubtful your big day will go smoothly. In order to boost your confidence, you can take advantage of resources to help you memorize lines fast.
You put the script under your pillow, hoping to know the lines of little by little. At about two o’clock in the morning, you managed to get your four roommates to sing their (totally creepy) lines to you. You’ve done the usual cover-your-lines-with-your-hand thing, but it just sounds like you’re cramming for a math test, and it doesn’t function.
Over the years, I’ve explored many different approaches and realized that there are far easier ways to memorize the script.
What’s the easiest way to memorize quickly?
1. The Rehearsal Pro app.
This is the best way to get your hands down and get to know the patterns. He’s a stage pal who’s never sick of trying to get lines with you. You can illustrate the lines in the app, take the lines of other characters, and use them as a teleprompter. Only keep playing the loop.
The key for me is to say my lines clearly and the voice of the other character while recording so I don’t get mixed up. I essentially put my iPad on a chair, purporting to be running a line with someone else. It’s much better than a tape recorder. (Time set: 30 minutes, 12-page scene).
2. Say it, Write them out.
That’s better than you thought, so you’ve got a string of words to say when you did that. I did this to memorize lengthy scenes with lots of words, and I think it fits well because you’re going to brace your hand and write down the lines while you’re listening and them.
Write out the rows in one of the key columns and run through the list. Do this five times as much every time you break that line of thinking. See if you do this the last time you wrote it down without reading the post, then ask for feedback from others.
3. A few times, he crosses the border.
Listen to the words you are going through for the very first time. Focus on pause and rows, hear what has been said, and keep working through the scene in various ways, learn inspiration, act, and rhythm. It just refuses to sit back and stand up.
Let’s make mistakes and chat about how you can’t do it when you’re pleased with the row. Concentrate on the “Why” and the background for a more in-depth understanding of the scene. You are going to find a way out if you lose your notes because you know what will happen. (Time of employment: 30–1 hour)
Typically, I use a combination of these three strategies to practice for each scene. I’m going to write down the lines, run them down, and then another actor, and I go through them as soon as possible.
After that, I improvise lines to see if I can develop a few more moments of interline reactions that make me feel real. Again, to the terms of I put on, and then to tie them together. I know the way, but I’m still fluid, and, of course, I’m always open to change.
If you want to memorize your lines fast, you need to use all available resources to help. You want sentences to sound second nature, real and true as if they came from a real person, with clear thoughts and ideas. Hearing your own words can cause anxiety, and you might have memorized words while you’re at home and easily distracted. We have to train ourselves for this as performers and be very memorized (but not stuck in a pattern) to be comfortable, safe, dedicated, receptive, and open to guidance.